Roopika Risam

This is the working draft of the vision statement for the project. We are experimenting with the platform!

Testing cut and paste.

An introduction to Reviews in Digital Humanities

A review of Connections in Sound, a project exploring Irish fieldwork audio and metadata, directed by Patrick Egan

Editors' note on the March 2020 issue of Reviews in Digital Humanities

Editors' note on how to get involved with Reviews in Digital Humanities

Editors' note on the April/May 2020 issue of Reviews in Digital Humanities

A review of MFAngle, a podcast discussing the hidden curriculum in MFA programs, led by Tyechia Thompson and Joe Forte

Editors' note on the June/July 2020 issue of Reviews in Digital Humanities

Editors' note on the August/September 2020 issue of Reviews in Digital Humanities

A review of Ellas tienen nombre, a data project on gender violence in Juárez, created by Ivonne Ramírez Ramírez

A review of Humanizing Deportation, a community-based digital storytelling project, directed by Robert Irwin

A review of Redes, migrantes sin fronteras, a digital community resource project on migrant border crossing, directed by Rubria Rocha de Luna and Alicia Zavala García

A digital literary project on Ciudad Juárez, directed by Carlos Urani Montiel Contrareras, Amalia Rodriguez Isaías, and Gibrán Alejandro Lucero Loera

A review of La Frontera: Artists Along the Mexico-U.S. Border, a showcase of artists, photographers, musicians, dancers, and writers from the border, directed by Stefan Falke

A review of AudiAnnotate, a tool for annotating audio files, directed by Tanya Clement, Ben Brumfield, and Sara Brumfield

A review of Digitizing Rochester's Religions, a public history project on religious communities in Rochester, New York, directed by Margarita S. Guillory and Daniel Gorman, Jr.

A review of AudibleRVA, a project featuring soundscapes of Richmond, Virginia, directed by Andy McGraw

Editors' note on the September 2021 issue of Reviews in Digital Humanities, guest edited by Mary Caton Lingold

A review of The Mixtape Museum, an archive project that collects, preserves, and shares knowledge about mixtape history, directed by Regan Sommer McCoy

Editors' note on the October 2021 issue of Reviews in Digital Humanities, guest edited by Mary Caton Lingold

A review of The Museum of Portable Sound, a collection of field recordings organized as exhibition galleries on a single mobile phone, created by John Kannenberg

A review of Stories in Stone, an annotated guide to the collections and papers of Ernest Westlake, directed by Rebe Taylor with Michael Jones and Gavan McCarthy

A review of the Marianne Moore Digital Archive, a digital project offering reproductions and transcriptions of Moore's notebooks, directed by Cristanne Miller

A review of Sonic Histories of Cork City, a public arts project exploring relationships between sound, space, and history, directed by Jillian Rogers, Elaine Harrington, and John Hough

A review of Digital Transgender Archive, an online project dedicated to improving access to transgender-related history, directed by K.J. Rawson

Editors' note on the October 2020 issue of Reviews in Digital Humanities

A review of Georgia Journeys, a digital exploration of experiences of World War II and the Holocaust, directed by Adina Langer

A review of Bodies and Structures, a collaborative digital history project constructing the spatial histories of the Japanese Empire, directed by Kate McDonald and David Ambaras

A review of the Caribbean Diaspora Project, a digital project on carnival, directed by Mirerza Gonzalez-Velez and Nadjah Ríos Villarini

A review of ArchivalGossip, a website and database focusing on the role of gossip in the 19th century, directed by Katrin Horn

Review of the East End Digital Library, a project that makes 19th-century archives of London's East End available to the public, directed by Heidi Kaufman

A review of Furnace and Fugue, a digital edition of Michael Maier's Atalantia fugiens, directed by Allison Levy

A review of Baltimore Traces, a multimedia teaching project on Baltimore, directed by Nicole King and Bill Shewbridge

A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair

A review of the Digital Second Edition of Judaica Americana, a searchable database of American Jewish publications based on Robert Singerman's Judaica Americana: A Bibliography of Publications to 1900, directed by Arthur Mitchell Fraas and Arthur Kiron and managed by Emily Esten

A review of Women of the Early Harlem Renaissance, a collection of poetry, drama, and fiction by African American women writers from 1900-1922, directed by Amardeep Singh

Editors' note on the November 2020 issue of Reviews in Digital Humanities

Review of Digital Oral Histories for Reconciliation, a virtual reality experience on the Nova Scotia Home for Coloured Children, directed by Kristina Llewellyn

A review of Dante Visualised, a text analysis tool for data visualization, developed by Ginestra Ferraro

A review of The Delek Archives, a blog documenting casteism and Islamophobia in Indian schools, directed by Titas Bose and Bhaswar Faisal Khan

A review of Recovering New York City’s Nineteenth-Century Spanish-Language Press, a digital map of 19th-century Hispanophone print culture, curated by Kelley Kreitz

A review of New Roots / Nuevas Raíces Oral History Initiative, a bilingual digital information system documenting Latin Americans in the US South, directed by Hannah E. Gill

A review of Migration is Beautiful, a digital humanities project fostering awareness of Iowa's Latinx history, directed by Janet Weaver

A review of Chicana Diasporic, a research hub on the Chicana Caucus of the National Women’s Political Caucus (NWPC), directed by Linda Garcia Merchant

Editors' note on the December 2020 issue of Reviews in Digital Humanities

A review of Cartas a la familia / Family Letters, a digital archive of family correspondence, directed by Isabel Velázquez

A review of Scribes of the Cairo Geniza, a crowdsourced transcription project on manuscript fragments from the Cairo Geniza, from Judaica Digital Humanities at Penn Libraries

A review of EHRI Ghettos, an authority list of Holocaust-era Ghettos using Wikidata, directed by Nancy Cooey, Kepa Joseba Rodriguez, and Vladimir Alexiev

A review of Documenting Judeo-Spanish, a digital humanities project preserving the Solitreo alphabet of the Ladino language, directed by Bryan Kirschen

A review of Mapping Jewish LA, a series of interrelated digital exhibitions on the past and present of Jewish Los Angeles, directed by Todd Presner and Caroline Luce

A review of Mapping Modern Jewish Cultures, a digital project on Jewish café culture, directed by Shachar Pinsker

Editors' note on the January 2021 issue of Reviews in Digital Humanities

Editors' note on the November 2021 issue of Reviews in Digital Humanities

Editors' note on the February 2021 issue of Reviews in Digital Humanities, guest edited by Tanya Clement

A review of On the Books: Jim Crow and Algorithms of Resistance, a Collections as Data and machine learning project, directed by Amanda Henley and Matthew Jansen

A review of Slave Revolt in Jamaica, 1760-1761, a cartographic narrative, directed by Vincent Brown

A review of the Anti-Eviction Mapping Project, a digital media arts collective documenting gentrification struggles and creating tools for housing justice

A review of Relaciones Geográficas, an interface for exploring the Relaciones Geográficas of Mexico and Guatemala, 1577-1585, directed by Albert Palacios

A review of Louisiana Slave Conspiracies, an interdisciplinary project on the 18th-century Pointe Coupée slave conspiracies, led by Bryan Wagner, Patty Frontiera, Shadrick A. Small, and Jenelle Thomas

A review of Media History Digital Library, a library of film and media-related magazines and books, directed by Eric Hoyt

A review of SongData, a project studying the development and evolution of popular music genres over time, directed by Jada Watson with collaborator André Vellino

A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell

A review of Furious Flower Digital Archive, a project featuring materials from the 1994 Furious Flower Poetry Conference, led by Joanne V. Gabbin and the Furious Flower Poetry Center

Editors' note on the March 2021 issue of Reviews in Digital Humanities, guest edited by Tanya Clement

A review of Collective Biographies of Women, a project dedicated to the prosopography of women from books published in the late 19th and early 20th centuries, created by Alison Booth

A review of the Distant Viewing Toolkit, a software library for computational analysis of visual culture, developed by Taylor Arnold and Lauren Tilton

A review of Mapping the Gay Guides, a project mapping data from Bob Damron’s Address Books, created by Amanda Regan and Eric Gonzaba

A review of Readux, an open source software platform for digitized texts, directed by Rebecca Sutton Koeser

A review of Undisciplining the Victorian Classroom, a pedagogical resource for teaching Victorian studies through a race-conscious lens, directed by Pearl Chaozon Bauer, Ryan D. Fong, Sophia Hsu, and Adrian S. Wisnicki

A review of Lesbian and Gay Liberation in Canada, an interactive digital resource for the study of lesbian, gay, bisexual, transgender, and queer (LGBTQ+) history in Canada from 1964 to 1981, directed by Constance Crompton and Michelle Schwartz

Editors' note on the April 2021 issue of Reviews in Digital Humanities, guest edited by Tanya Clement

A review of GeoNewsMiner, an app visualizing geographical references in historical newspapers, created by Lorella Viola and Jaap Verheul

A review of Mapping Marronage, an interactive project examining the mobility of enslaved people in the 18th and 19th centuries, directed by Annette Joseph-Gabriel

A review of Land and Legacy, a project investigating the University of Virginia’s land expansion since the 1980s, directed by Janet S. Dunkelbarger, Connor Kenaston, Natasha Roth-Rowland, Lauren Van Nest, and Chloe Down Wells

A review of Visualizing Objects, Places, and Spaces, a compendium of resources for all stages of digital project development, created by Beth Fischer and Hannah Jacobs

Editors' note on the May 2021 issue of Reviews in Digital Humanities

A review of Singing Box 331, a project examining a pamphlet of Mohican-language hymn texts from the 1740s, created by Rachel Wheeler and Sarah Eyerly

A review of RSHHGG Lab, an index for Revue de la société Haïtienne d’histoire, de géographie et de géologie (RSHHGG), directed by Chelsea Stieber

Editors' note on the June 2021 issue of Reviews in Digital Humanities

A review of GeoMAP, a cartographic project on the history of the Parisian art market, created by Léa Saint-Raymond, Félicie Faizand de Maupeou, and Julien Cavero

A review of Emblem/as, a work of electronic literature exploring personal and geographic cartography, created by Tina Escaja

A review of Against All Odds, a digital archive of the African American men who served in the Mississippi state legislature from Reconstruction until the 1890s, created by DeeDee Baldwin

A review of Digital Community Engagement, an open-access volume of case studies on digital partnerships, edited by Rebecca S. Wingo, Jason A. Heppler, and Paul Schadewald

A review of War Stories, a digital project that tells the stories of children during World War II, created by Gabrielle Atwood Halko

A review of Project TwitLit, a social media analysis project examining writing communities on Twitter, created by Christian Howard-Sukhil

A review of the Shakespeare and Company Project, a database of records from Sylvia Beach's Shakespeare and Company bookshop, led by Joshua Kotin and Rebecca Sutton Koeser

Editors' note on the July 2021 issue of Reviews in Digital Humanities

A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter

A review of Sound Never Tasted So Good, a project that explores how the senses work together in gustatory experiences, created by Steph Ceraso

A review of .break .dance, an interactive choreo-essay on Black diasporic existence, created by Marisa Parham

Editors' note on the August 2021 issue of Reviews in Digital Humanities, guest edited by Mary Caton Lingold

A review of The Penn & Slavery Project, an app and website investigating the University of Pennsylvania's relationship to slavery, directed by Kathleen Brown

Editors' note on the December 2021 issue of Reviews in Digital Humanities

A review of Indian Community Cookbooks Project, an archive of community cookbooks from India, directed by Khushi Gupta, Muskaan Pal, and Ananya Pujary

Editors' note on the January 2022 issue of Reviews in Digital Humanities, guest edited by Amanda Licastro, Dibyadyuti Roy, and Schuyler Esprit

A review of Literature in Context, a digital anthology of literature, directed by Tonya Howe

A review of East Asia For All, a podcast analyzing East Asian pop culture, directed by Stephanie Montgomery and Melissa Brzycki

A review of the Jane Addams Papers Project, a scholarly editing project on the work of Jane Addams, directed by Cathy Moran Hajo

Editors' note on the February 2022 issue of Reviews in Digital Humanities

A review of The Comédie-Française Registers Project, a digital project featuring register receipts from the French Comédie-Française (1680-1791), directed by Jeff Ravel

A review of The Old Spanish Trail Auto Highway Archive and Map, a digital project on the Old Spanish Trail national roadway, directed by Lindsay Passenger Wieck

A review of Radio Free Stein, a critical sound project on Gertrude Stein's dramatic works, directed by Adam J. Frank

A review of Southeast Asia Under Japan, a repository for diverse primary and secondary sources related to studying the occupation of Southeast Asia in World War II, led by Sandeep Ray, Han Xing Yi, and Velusamy Sathiakumar Ragul Balaji

Editors' note on the March 2022 issue of Reviews in Digital Humanities

A review of Immersive Scholar, an initiative developing extensible models and programs for the creation and sharing of digital scholarship in large-scale and immersive visualization environments, directed by Micah Vandegrift, Walt Gurley, and Shelby Hallman

A review of The Library of Missing Datasets, a series of art installations bringing attention to missing data, directed by Mimi Ọnụọha

A review of Black Power in Washington, D.C. 1961-1998, an interactive web-based map of Black Power politics, directed by George Derek Musgrove

A review of Braiding Braiding, a web-based exploration of African hair brading, directed by Nontsikelelo Mutiti and Julia Novitch

A review of BLACK MEME, an interactive video essay on Black visual culture since 1900, directed by Legacy Russell

A review of Solidarity Book Project, a collaborative art project supporting access to books for Black and Indigenous communities, directed by Sonya Clark

Editors' note on the April 2022 issue of Reviews in Digital Humanities, guest edited by Aleia Brown, Marisa Parham, and Trevor Muñoz

Review of The Oak of Jerusalem, a StoryMap of Great Dismal Swamp, created by Christy Hyman

A review of Treasury of Weary Souls, a collection of insurance policies that underwrote enslaved people as property, directed by Michael Ralph

Editors' note on the May 2022 issue of Reviews in Digital Humanities, guest edited by Aleia Brown, Marisa Parham, and Trevor Muñoz

A review of Forever Gwen Brooks, a website generating variations of the final poem in Gwendolyn Brooks' 1969 chapbook RIOT, created by Lilian-Yvonne Bertram

A review of Black Craftspeople Digital Archive, an archive of the lives and experiences of Black craftspeople during the 18th and 19th centuries, directed by Tiffany Momon and Torren L. Gatson

A review of Serpentarium Mundi, a digital iconography compendium on serpents and similar reptilian subjects, directed by Alexei Alexeev

A review of Newspaper Navigator, a multi-phase project redefining searches for visual data in historic newspapers, directed by Benjamin Charles Germain Lee

A review of Baldwin's Paris 2.0, a geospatial project on the writing of James Baldwin, led by Tyechia L. Thompson and Carli Smith

Editors' note on the June 2022 issue of Reviews in Digital Humanities

A review of Timeline of Empire, a student-generated timeline of U.S. empire, directed by Katrina Phillips

Two reviews of DECIMA, a project mapping 16th and 17th century Tuscany, directed by Nicholas Terpstra and Colin Rose

A review of They Came on Waves of Ink, a digital mapping project of a U.S. Customs ledger for the Puget Sound Customs District, directed by Sean Fraga

A review of Linked Archives, a digital tool for linked data in archives, led by Jason Ensor and Helen Bones

A review of Mapping Memphis, a geospatial project using funeral ledger data, directed by Abigail Norris

Editors' note on the July 2022 issue of Reviews in Digital Humanities

A review of jsLDA, a browser-based tool for topic modeling, developed by David Mimno

A review of Mina Loy, a multimedia digital project on the avant-garde works of modernist writer and artist Mina Loy, directed by Suzanne W. Churchill, Linda Kinnahan, and Susan Rosenbaum

A review of A People's Atlas of Nuclear Colorado, a project on the Cold War's nuclear legacies, directed by Shiloh Krupar and Sarah Kanouse

Editors' note on the August 2022 issue of Reviews in Digital Humanities

Recognizing that the many facets of scholars’ identities as people has a direct impact on their professional lives, we identified the lack of peer review as a clear deterrent to building up digital scholarship in these underrepresented fields in digital humanities.

A review of COVID and Black California, a dashboard exploing how the COVID-19 pandemic affected Black people in California, led by Paulette Brown-Hinds, Stephanie Williams, Candice Mays, and Alex Reed

A review of Stop AAPI Hate, a website collecting accounts of anti-Asian racism during the COVID-19 pandemic, directed by Russell Jeung and Aggie Yellow Horse

A review of Healing Histories, a timeline exploring the COVID-19 pandemic, directed by Cara Page, Susan Raffo, and Anjali Taneja

Editors' note on the September 2022 issue of Reviews in Digital Humanities, guest edited by Kim Gallon and Kirsten Ostherr

A review of London Stage Database, a digital project that remediates the London Stage Information Book, directed by Mattie Burkert

A review of I'm Still Surviving, an interactive digital exhibition featuring oral histories of women living with HIV/AIDS, directed by Jennifer Brier and Matt Wizinsky

A review of Medicine | Race | Democracy Lab, a digital humanities project exploring access and care beyond hospital systems, led by Lan Li, Ricardo Nuila, Fady Joudah, Pierce Salguero, and their team

Editors' note on the October 2022 issue of Reviews in Digital Humanities, guest edited by Kim Gallon and Kirsten Ostherr

A review of Visualizing the Virus, a digital project exploring COVID-19, directed by Sria Chatterjee and Ellen Ambrosone

A review of Black Health and the Humanities, interdisciplinary training workshops exploring Black health, directed by Josie Gill and Amber Lascelles

Editors' Note on the November 2022 issue of Reviews in Digital Humanities

A review of Time Layered Cultural Map, a software ecosystem that allows humanities and social science researchers to create, find, analyze, visualize, and share digital maps, led by Hugh Craig and Bill Pascoe

A review of Colonial Frontier Massacres, an interactive web map of massacres on the Australian colonial frontier, developed by Lyndall Ryan, Bill Pascoe, and team

A review of MaCleKi, a location-based digital history project that curates historic places in and around Kisumu, Kenya, directed by J. Mark Souther, Meshack Owino, and Erin J. Bell