William O. Pate II

Announcing our move to PubPub.

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The beginnings of an explanation.

Or, How Neoliberal Higher Education Funding Drove My Family into Bankruptcy

A little background.

A place to store Gianna's designs for SAR.

Background, schedule and resources

Hannah Arendt and the neoliberal thought collective's elitism . . .

Counter-histories, vernacular histories and more . . .

Underestimating the people . . .

The author of A Dangerous Energy expands upon his outlook, methods and future works.

A review of Eve Tracy Coker's A Worker's Worth.

The American counterculture's desire to live irresponsibly is reflected in Ishmael Reed's work.

Kimberly Tolson confronts racism in the family.

It takes a fat wallet — and a community of readers and writers

William O. Pate II reviews Alex Z. Salinas' debut book of poetry, WARBLES.

William O. Pate II reviews Alex Z. Salinas' debut book of poetry, WARBLES.

And that's a good thing.

Russell Arben Fox reviews Charles Marohn's Strong Towns for San Antonio Review.

Legalizing cannabis production in the U.S. South could revitalize state economies.

Announcing Issue Two.

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John Bonanni reflects on his children.

Peter Berard reviews Margaret Hagerman's book White Kids.

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Under construction.

Milicent Fambrough cuts up.

A brief introduction to San Antonio Review's Volume III | Summer 2020 edition.

Where to buy your print copies of San Antonio Review.

Quotes included in San Antonio Review's third print issue.

A PDF version of the third print issue of San Antonio Review.

Another quick how-to video.

Juvenile free-market rhetoric dresses up for its municipal edition.

They're public art. Believe it or not.

A contribution to Bernard E. Harcourt's call for reflections on one's own theory and practice.

More out than in.

Staff suggestions from San Antonio Review's third print edition.

Austin watercolor artist Kerry Hugins opens up.

Updates

The readable version of my publisher's note in SAR III.